It speaks more to a crowd that doesn’t dismiss albums like “Seven Churches” and “Morbid Visions” as being glorified thrash albums and isn’t as into the current wave of flashy or otherwise messy modernity surrounding the sub-genre. Dan Seagrave can do no wrong. The Chemical Brothers – No Geography. Every song is easily recognizable, quite a feat for an album that stays true to the same formula from start to finish. Here he delivers a very powerful vocal performance that fits Benediction’s musical style like a hand fits a banana, comparable to the likes of Karl Willets or Barney Greenway both of whom he has replaced at some point in his career , but with his own spin on things very important to add that! Transcend the Rubicon Benediction. Scoob July 26th Comments.
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Definitely checking this out soon. BigPleb September 12th Comments.
If you check out those moments, I needn’t say more about this album’s merits in the riff department. Benediction Transcend the Rubicon 4. I say this because while seemingly nonsensical, they give off a very disturbing atmosphere of genuine insanity. Best viewed without Benedicttion Explorer, in x resolution or higher.
I get a very sharp Chuck Schuldiner vibe from the melodic shreddings of Darren Brookes and Peter Rew, and considering Death is my all-time favorite band, that is a compliment! The album has everything that an old school death metal fan could want in an album, particularly if you are a fan of bands like Asphyx, Behediction Thrower, Master, Massacre, or “Harmony Corruption” -era Napalm Death. I almost forgot to talk about the riffs! The beautiful cover art by Dan Seagrave, the classic-looking logo, the cool yet seemingly meaningless album title Voivod Rubixon Reviewer February 4th Comments.
The early to mid 90s are looked upon fondly insofar as death metal is concerned, particularly if the locale is situated in Florida, New York, or Sweden. Yes, the vocals would fit well with any Bolt Thrower album since I hear very little difference between them: There is a lot to be said about the seminal offerings of bands like Bolt Thrower, Deicide and Suffocation and how their sounds shaped the ongoing ebb and flow of death metal in the 90s, but bands like Benediction are definitely entitled to some much benedictoon attention for adding to and reaffirming the same ideas that continue to define the style.
Another positive aspect is the very competent production, which emphasizes the guitars without sacrificing balance. Hawks February 3rd Comments. On 20 Music Lists.
All we need now is a Seagrave Transcens Air taking place in the artwork so that we can get a metal equivalent to the famous Along the River During the Qingming Festival paintings. Hawks September 12th Comments. However, Transscend does a solid job at varying up the formula a bit and comes out with a few surprisingly good upper mid-tempo and even some down-tempo material that seems to flirt with the recently concocted death n’ roll sound that Entombed went to on “Wolverine Blues”, though thankfully this proves to be more of an occasional device rather than an entire album of over-simplified, slowed down grooving.
It speaks more to a crowd that doesn’t dismiss albums like “Seven Churches” and “Morbid Visions” as being glorified thrash albums and isn’t as into the current wave of flashy or otherwise messy modernity surrounding the sub-genre. The production quality is notably free from the muddy character that typified Obituary’s early efforts and comes off as closer to the crisp, punchy sound of earlier Slayer-inspired death metal, though there is a similar flirtation with slower, doom-like tempos at times that do concur with some of Obituary’s material on “Slowly We Rot”.
The Algorithm Compiler Optimization Techniques. Dave Ingram grunts on this album, and I believe his voice on here was his crowning achievement.
One particular feature, however, that makes Transcend the Bendeiction something pretty special, something more than just another solid Death Metal record, is that it somehow manages to be both monotonous and varied at the same time. Malevolent Creation The 13th Beast. As far as the songs themselves are concerned, there are absolutely no fillers to be found.
Transcend the Rubicon Benediction.
Site Copyright Sputnikmusic. So anyway, this album is a unique experience but sounds fairly ordinary on the outside. Benediction, as the underdogs of the British death fucking metal scene, reached what I consider to be the apex of their career with transceend album. At first glace, it looks like standard issue brutal death metal. Write your own review. Every song is easily recognizable, quite a feat for an album that stays true to the same formula from start to finish.
Oh, and the riffs Just go check out “Nightfear”, with it’s unforgettable opening riff, or “Violation Domain”, with the absolutely evil opening chords, which are followed by what is without question one of the catchiest riffs in all bneediction death tdanscend. At times this song takes on a slight “The Thing That Should Not Be” feel to it, but it takes care not to drag out for too long, though it definitely takes it’s time to get going.