The whole section is brilliantly implemented. Ring modulators seem to have cropped up more and more on plug-ins in recent years, but after trying it out on a variety of sources, we can vouch that this one is no mere nod to fashion. It sounds so good and has such cool features that you find yourself hankering to use it on anything that might require a filter, such as when removing hi-hat tails from a kick drum sample. On a more creative tip, there’s a sample rate reducer that can be linked to the low-pass cutoff, which, as we have already established, can be modulated with an LFO. First are the envelope and LFO controls, which offer far too much power to cover fully in one review.
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Next up comes the ring modulator section. The modulation parameters are exciting and effective: Philta XL lends further credibility to Vengeance-Sound’s status as lord of the dance phlita. It sounds so good and has such cool features that you find yourself hankering to use it on anything that might require a filter, such as when removing hi-hat tails from a kick drum sample. It allows some exciting sweeps, and like all of Philta’s major parameters, it can be automated.
It’s a simple affair, and we encountered the same feature on Multiband Compressor. However, enable the Notch option and the high-pass becomes a low-pass and vvengeance versaso chopping out the middle frequencies instead. The basic premise is an amplitude-sensitive input that monitors the incoming level and uses this to modulate the cutoff frequencies.
The envelope section too offers some amazing possibilities, and perhaps even more of an innovative design. Overall, though, Philta’s modulation system is terrific.
On a more creative tip, there’s a sample rate reducer that can be linked to the low-pass cutoff, which, as we have already established, can be modulated with an LFO. Beyond that, vengeance sound philta xl going to have to check out the pop-up sub-menus. In the end, it’s hard to criticise Philta without sounding rather greedy. To sum up, Philta XL is a fantastic plug-in that totally lives up to its heavyweight name. Whether used for obvious sweeps, synth patches, sound design or simple mix-sculpting, they are near ubiquitous in the studio.
Each filter band offers a cutoff frequency control and another dual-purpose control with Width on the outer ring and Resonance on the inner. It offers a great level of crunch and bite, and though it’s not vengeande warm in a ‘vintage’ way, it has bags of character and is perfect for modern productions.
The front panel shows the frequency spectrum in the main window, with two separate but linkable filters: It’s vengeance sound philta xl an essential plug-in, but for most kinds of dance music and creative electronica, you won’t regret the modest outlay. Naturally, it offers much more customisation than regular DJ effects, but this is probably the best way to describe Philta to deck-spinners.
Vengwance Attack and Release controls offer control over the speed of the action, while Strength and Boost determine the intensity of the effect. Pros Spot-on filtering and effects. By default, Philta works in a band-pass arrangement, passing frequencies that fall between the high-pass and low-pass filters. Finally comes the output limiter.
It can take straight-up filtering and turn it into a sound-mangler’s dream, or simply add a little bite and character to help sculpt a mix. We can assure you that this is well worth trying. Though clearly interconnected, we still find having both of these controls on one dial a little cumbersome from time to time, and would have preferred a different system.
Again, this is best heard in action, but one of our favourite features here is the Mix control.
When we heard that Vengeance-Sound – those purveyors of innovative and powerful dance-centric effects – had released a filter plug-in as part of their Vengeance Producer Suite, we had no idea what to expect.
Each can be set to a classic analogue 12dB per octave slope, a powerful 24, a fairly surgical 48 or even an insanely precise 96, as with the recently reviewed Vengeance-Sound Multiband Compressor. On both plug-ins, it works best with the auto-release disabled. The whole section is brilliantly implemented. It’s a certified banger! vengeance sound philta xl
The overall design is pretty straightforward. Despite their power, they’re very intuitive, and if you’re concerned about overlooking some of their possibilities, the carefully grouped presets are on hand to show you how it’s done.